Their repertoire for this tour consists of quartets by Haydn, Mozart, Beethoven, Smetana, Janáček and Dutilleux. The world’s greatest string quartet make their first visit to the UK with their new lineup (viola player Richard O’Neill joined the group last June).

Expect the roof to come off these mid-sized venues when it drops. Originally released last June as parent album Dreamland’s fourth single, it recently sashayed its way into the UK Top 5. The Oxford alt-pop quartet head out on a celebratory jaunt basking in the slow-burn success of their hallucinatory track Heat Waves.

Pop experimentalists Hannah Diamond and Namasenda headline a PC Music label showcase, while the likes of Stereolab, Iceage, Remi Wolf (pictured, above) and Nilüfer Yanya appear across the city in a multi-venue takeover. The music website’s inaugural London festival offers up a 10.0 lineup, featuring a smörgåsbord of 50 sonically adventurous artists over five days. Remi Wolf, appearing as part of the Pitchfork music festival. This is a truly rich week of cinema releases aimed at adult audiences (see above), but if you need something more family friendly, look no further than Marvel’s latest, directed by Chloé Zhao, in which Sprite, Kingo, Ajak and several other ancient alien superheroes must save the planet from the Deviants. Stylishly made, better acted and more violent than most low-budget revenge thrillers, Bull boasts can’t-look-away performances from Neil Maskell and David Hayman, as brutal stab-happy hard men from the wrong side of the tracks, and proves that British genre film-making of the Get Carter ilk is very much alive and well.

If you have ever idly wondered what The Crown mixed with Stanley Kubrick’s The Shining might feel like, look no further than director Pablo Larraín’s gloriously unhinged vision of Christmas 1991 at Sandringham, which gives us Kristen Stewart’s Diana versus the gloomy spectres of her in-laws, in a chilling battle royal. Oscar Isaac (pictured, above) burns up the screen in the role of a former Guantánamo Bay detention camp guard now making a living as a top-tier professional gambler in Las Vegas, in a muscular and unflinching character study scripted and directed by Paul Schrader, the man who wrote Taxi Driver. Illustration: Lalalimola/The Guardian Going Out: Cinema

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